Back in the early days of Scissorkick, we posted a short video showing the guitar/beatbox/singing exploits of our friend Mike B, The Invisible Man.
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Scissorkick.com was born within the second wave of music blogs in the late 1990s and is guided by a soundtrack to one mode of contemporary living here in NYC. It is proudly genre-agnostic and on a continuous search for new independent rock and electronic music.
I’ve been sitting on this particular post for a while. Keeping it for that perfect moment, sort of like when the Knicks play David Lee. Scissorkick needs a shot of energy, and who better to provide it than longtime favorites 33hz. We’ve been supporters of their indelible brand of late-era disco and electric funk way before Ray-Noor’s Cabin was replaced by Ayhan’s Shish-kebab, and it’s…
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So, as promised, you get your second “state” related posting, this time on a definitively more British note. I know that for a lot of you Stateless may not necessarily be something brand new. Truth is, I slept on this record for a while, not fully convinced of its merits — even though both Roots Manuva and DJ Shadow were singing its high praise. Shadow…
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This is the first of two posts of bands with the word “State” in their names. Other than that, they have very little in common. First off, is Washington D.C’s Statehood, the newest project from former-Dismemberment Plan rhythm section Joe Easley and Eric Axelson, Vehicle Birth’s Leigh Thompson and vocalist Clark Sabine. I don’t want to wax too poetic on the fact that DC holds…
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