Scissorkick.com was born within the second wave of music blogs in the late 1990s and is guided by a soundtrack to one mode of contemporary living here in NYC. It is proudly genre-agnostic and on a continuous search for new independent rock and electronic music.
You may remember that a while back I was given a number of demo tracks from Ben Mullins, former member of Midwest Product and currently in PostPrior (both essential Ghostly International artists) to post. That was one of the more commented upon recent posts and I received quite a few emails begging me to get Ghostly to put the stuff out. So, I picked up…
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A Quick Rant I get a lot of emails about why I don’t post every day. Let me explain if I may. I try to be as discerning as I can about the things I post. Fact is, if it’s not something I think you all would like, then it doesn’t deserve the pixels. Like I’ve said before, music blogging is way out of control….
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Turns out that one of the few truly monstrous tracks from Daft Punk’s latest, Human After All, almost completely jacks the opening of “Release the Beast, ” a little known electro-funk stomper by 2-and-out late 70s jazz-funk outfit Breakwater. I felt compelled to post the original because although I knew that Thomas Bangalter and Guy Manual de Homem-Christ0 were big on sampling, I was surprised…
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Last Wednesday, at Webster Hall, The Cinematic Orchestra added to their reputation as consummate performers with another flawless set of new and old tunes, expertly executed and passionately played.
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