Thursday, July 20, 2006

Anniversary Post

Special post alert! Over-affectionate Nausea Warning! Stop reading now if you can't stand public displays of digital affection. Today marks exactly 5 years since I left work as per our usual half-day Fridays and headed to the N train back to Brooklyn. On the way home however, I bumped -- literally -- into a girl who was delivering compost to the Union Square Green Market at that same instant. The pretty face didn't register immediately but after a few seconds I quickly realized that this was Andi, the girl I had taken on the single most extravagant college date of my life (by extravagant I mean over $50. But it was in two countries. Go Sabres). Less than a week later I was on a plane to London for a semester overseas, quickly killing any potential of further dates, and I figured it was yet another good thing sabotaged by poor timing. Editor's Note: I bumped into TWO pretty girls that day, but remembered knowing one of them. Sorry Jen. 6 years later, we bump into each other, both recently single, and make plans to head together to the 1st Annual Siren Festival where Superchunk is scheduled to play. Long story short: She never showed (and I was really late but it didn't matter.) But of course there's a happy ending -- we went to a premiere of Wet Hot American Summer a few days later and hit it off. Since then there's been 9/11, deaths, births, vacations and distances, but it's amazing how quickly 5 years can fly by. Today's posts are not only two of my favorite songs but also commemorate the day by going back to the beginning -- I was pushing Superchunk on her 10 years ago and still do it today. Since then she's become a big fan too. And these two tracks make a long distance relationship all the more endurable.

Superchunk :: "On the Mouth" Superchunk :: "100,000 Fireflies"

Friday, July 07, 2006

Nomo

Beautiful Friday in NYC so why not post a little post-Afrobeat to get the weekend rolling. Nomo are a transcultural ensemble (read: weed smokers with ethnomusicology degrees) who hail from Ann Arbor, Michigan and if likembe (finger piano), hand claps and scorching horns are your thing you should definitely check out New Tones, their second LP and first for Ubiquity. Produced by Warn Defever of His Name is Alive and composed/arranged by the band's saxophonist Elliot Bergman, New Tones is certifiably the year's best record of cultural gumbo funk (thanks Captain!), a complex work of deep reverence that puts the dub and electronic elements deep in the background as complementary components. It is richly organic yet maintains your interest never settling for the 15-minute loops that may scare aware the casual Afrobeat fan. For me, bands like Nomo are always best absorbed in a live setting. You need to feel the bass tones of the instruments reverberate inside a warehouse, inside your skull. A foolproof way to start the weekend. RIYL: Antibalas, Fela Kuti, Kokolo, The Daktaris, Akoya Afrobeat Ensemble, Jaza Jazzist Resources

  • For more information on check out their homepage.



  • Nomo :: "Hand and Mouth"

    Thursday, July 06, 2006

    The Benevento/Russo Duo

    Of all the benefits that come with age, none seems to be more satisfying than the wisdom gained from the realization that perhaps you didn't know everything about the world at 21. For instance, if someone came up to me 10 years ago and told me that a band currently opening for Phil Lesh & Friends and jamming with Trey Anastasio of Phish would release one of my favorite records of the Summer, I'm sure I'd immediately scoff, say something about how they couldn't be as great as Tortoise, sip my Old English and pretend that I didn't just get a huge, vaguely facist-looking tattoo. See we all grow up. And any fan of music benefits from listening to as much music as they can. Sure things will always zero more closely around that inner target, but it never hurts to give anything a quick listen. Truth be told, I actually found out about the Phil Lesh/Trey Anastaso thing after I already gave Play Pause Stop -- the new album from The Benevento/Russo Duo -- an initial listen. And I am still a bit in shock. Never would I have connected the dots. From the first opening chords on the opener "Play Pause Stop," I was immediately into the sound. Super saturated keys, taut drumming, and a superfluity of melody is what The Duo (as they seem to be affectionately known) are all about. It's both dense and minimal at the same time (perhaps the lack of vocals accounts for this) and immensely listenable. Perfect SK fodder. This record is melancholy. Like Codeine, like Mogwai, like The Album Leaf but communicated with a different set of tools, with a different sensibility and skillset. It's not patchouli but perhaps the remembrance of the scent as it wafts around a hazy memory of campus life. Sure, you were punk as fuck. But I'm guessing now you wished you had one more chance with that hippy beauty with the unforgettable smile. I think "Soba" perfectly epitomizes what the duo do so well, especially when things go all Mega Man around 3:38 into the track. On point and highly recommended. RIYL: The Album Leaf, Matters & Dunaway, Tristeza, Medeski Martin & Wood, Radiohead, From Monument to Masses, Tortoise Resources

  • For more information on The Benevento/Russo Duo check out their homepage.



  • The Benevento/Russo Duo :: "Soba"